Group Exhibitin
2018
London
Paper Cuts Show curated by Kristian Day
I’m pleased to share that my works will be shown at this year’s Paper Cuts Show. If you are around London, Please stop by.
https://www.kristianday.co.uk/paper-cuts
16-18 Novermber 2018
opening hours: 10-6pm
Saatchi Gallery
Duke of York's HQ, King's Rd, Chelsea, London SW3 4RY, UK
*poster image : Jonathan Lux http://www.jonathanlux.com/
Open Studio
2018
New York
Bushwick Open Studios
29-30 September 2018
opening hours: 12-5pm
Aquarius Studio #17
1116A Wyckoff Ave. Ridgewood, New York 11385
(Halsey stop
L train)
Group Exhibition
2018
Chicago
My works on paper is included in the ‘GIFC Chicago’.
West Exhibitions
1709 W Chicago Ave, 2nd floor, Chicago, IL 60622
July 28, 2018, 4-8pm
Group Exhibition
2018
London
My work on paper is included in the ‘Every Thinkg’ group show at Assembly Point in London with Papercuts _ Kristian Day
Every Thing
An artist multiples event
27 July - 29 July 2018
Opening : Thursday 26 July, 6-9pm
Group Exhibition
2018
San Francisco / www.drawer.nyc
‘Bathers’ curated by Drawer on view at Bass & Reiner from July 17 to July 22 in San Francisco
Opening on July 20 from 7 to 10pm
On view at drawer.nyc/bathers from July 23- August 6
Solo Exhibition
2018
New York
Mystical Moist Night Air
Guimi You Solo Exhibition
Monya Rowe Gallery
224 West 30th Street, #1005
New York, NY 10001
(between 7/8 Avenue)
May 24 - June 23, 2018
Opening Reception: May 24 (Thurs.) 6:00-8:00pm
Group Exhibition
2017
London
Paper Cuts curated by Kristian Day, London, UK
Dec.14-16. 2017
More info: https://www.kristianday.co.uk/paper-cuts
Article
2017
Hyperallergic
8 Artists to Watch from Bushwick Open Studios 2017
From collections of African textiles and subway station paint chips, to street photography and — of course — colorful figurative paintings, we picked some of our favorites from BOS 2017. By - Elisa Wouk Almino, Benjamin Sutton, and Hrag Vartanian
.....
There’s something very disarming about You’s paintings owing to both her choice of palette (lots of pale hues and soft primary tones) and her subject matter (a mix of activities related to child-rearing and domestic chores). But her work is quietly epic. Her seven and a half-foot-tall painting “Destroyer” (2016), for instance, commanded one entire wall of her studio this weekend, its spatially disorienting drama only gradually resolving into a coherent image — that of a god-like toddler imposing his wrath on a toy train set. Likewise, it takes a moment for the cascading waves of “Drain Drain Drain” (2017) to register as what must be art history’s most epic painting of broccoli washing. —Benjamin Sutton
Read full article on HyperAllergic
Open Studios
2017
New York
